DE-COLL/AGE
(Köln 1962 - Frankfurt 1969)
Dé-coll/age no. 6 juli 1967- Bulletin der Fluxus und Happening Avantgarde
Luogo: Köln [ma Frankfurt]
Editore: Typos Verlag
Stampatore: senza indicazione dello stampatore
Anno: 1967 (luglio)
Legatura: brossura a quattro punti metallici
Dimensioni: 29x21,5 cm.
Pagine: pp. 174 n.n.
Descrizione: copertina illustrata b.n. con un collage di articoli di giornale. Volume interamente illustrato con immagini fotografiche e riproduzioni di testi e documenti. Esemplare completo, con fascetta editoriale, stampata in bianco su fondo viola, con firme autografe di Wolf Vostell, Al Hansen, Milan Knizak, Dick Higgins, John Cage, William Pearson. Allegato il multiplo originale di Dieter Roth, "Das Blaue Gemeul", una fotografia originale di 9 x 13 cm. Edizione originale.
Bibliografia: AA.VV., «In Numbers: Serial Publications by Artists Since 1955», PPP Editions – Andrew Roth Inc., 2009: pag. 145
Prezzo: € 1200ORDINA / ORDER
Contributi di G. Altorjay, Mary Bauermeister, Peter O. Chotjevitz, Al Hansen, Dick Higgins, Bernard Höke, Allan Kaprow, MIlan Knizac, Alison Knowles, Kurt Kren, Jean-Jaques Lebel, Marshall McLuhan, Gustav Metzger, Franz Mon, Helmut Rywelski, Nam June Paik, Diter Rot, Daniel Spoerri, Jean Tinguely, Ben Vautier, Wolf Vostell, Stefan Wewerka, Bill Wilson. Con un report del «Destruction in Art Symposium».
"(...) A year later, Vostell, produced «Dé-coll/age» sixth issue in a more straightforward format, witha reproduction of the inspirational 1954 «Figaro» article as its cover. With its report from the Distruction in Art Symposium (held in London) and reprinted essays by Higgins and Marshall McLuhan. «Dé-coll/age» took on something of a more documentary character, relying on photographs, as Vostell explained, to serves as scores of my performances. These scores cannot, however, be repeated or even interpreted by someone else. They are erasures and fields of ideas which make the imagination of the viewer come to life" (Philip E. Aarons - Andrew Roth, «In numbers. Serial Publications by Artists Since 1955», Zurich: JRP Ringer, 2010: pp. 143-144).
"(...) A year later, Vostell, produced «Dé-coll/age» sixth issue in a more straightforward format, witha reproduction of the inspirational 1954 «Figaro» article as its cover. With its report from the Distruction in Art Symposium (held in London) and reprinted essays by Higgins and Marshall McLuhan. «Dé-coll/age» took on something of a more documentary character, relying on photographs, as Vostell explained, to serves as scores of my performances. These scores cannot, however, be repeated or even interpreted by someone else. They are erasures and fields of ideas which make the imagination of the viewer come to life" (Philip E. Aarons - Andrew Roth, «In numbers. Serial Publications by Artists Since 1955», Zurich: JRP Ringer, 2010: pp. 143-144).
